标题
从嬉皮士到潮人:改变表达式的文化公民身份在音乐节
教师的导师(s)
玛丽莎Doshi博士
文档类型
海报
事件日期
4-15-2016
文摘
音乐节继续吸引年轻公民在美国。瑞安摩尔在销售建议像青少年精神,1960年代的音乐被认做是一种将改变世界。随着音乐不断变化,它代表了文化的转变。音乐一直并将继续是,整个几十年的表示将意识形态。这个项目比较伍德斯托克对青年文化的影响与现代音乐节日的影响,像科切拉,当代青年文化。数据分析包括新闻、社交媒体和档案材料。宣传材料也会检查,看看观众目标不同跨年,这揭示了音乐节的目的。青春还参与音乐节作为一种社会抗议?音乐节是一个平台,青年参与文化公民身份?还是现代音乐节日仅仅是一个大企业? These questions animate this project to reveal how music continues to be an outlet for today’s youth to engage with cultural citizenship. However, music festivals are no longer used as a platform for the kind of cultural citizenship that was prevalent at Woodstock. Instead, they have become a space for youth to engage in commercialized neoliberal forms of citizenship. This project will be presented through the use of a fully interactive and immersive digital timeline hosted on a Weebly site. The timeline will include a variety of media, including photographs, music, videos, and oral narratives.
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