标题
伪装,善良,和音乐魔法:善良罗西尼的La Cenerentola的胜利
教师的导师(s)
茱莉亚Randel博士
文档类型
海报
事件日期
4-10-2015
文摘
熟悉的灰姑娘的故事有许多变体,然而Gioacchino罗西尼的歌剧版本,La Cenerentola或者La Bonta Trionfo(1817),通过音乐来表达独特的性格发展。本文的分析歌剧的发展与特定引用通过音乐女主人公的性格。重点是“善胜利”的表现在罗西尼的结构化的分数;Cenerentola简单的慷慨和仁慈是通过装饰的使用,动态水平,管弦乐伴奏。作曲家表明Cenerentola的“真实自我”体现在安静和忧郁的d小调民歌她唱歌剧的开始。这个咏叹调与她同母异父的妹妹的疯狂和小对话来展示主人公的简单和善良。歌词,Cenerentola改变社会阶层穿着伪装;罗西尼照亮这一变化的分数。当她在伪装球,Cenerentola声乐分数是富丽堂皇,用更少的管弦乐伴奏。然而,音乐显示,女主角的临时改变社会阶层由于她伪装不是解决她的问题。 Her extravagant vocal line foreshadows Cenerentola’s forthcoming happiness as the future bride of Ramiro, but ultimately does not showcase her “true self” in life or in love. In addition, Rossini proves through the music that her qualities make her a worthy match for the love-struck and simplistic Don Ramiro. Cenerentola’s folk song is used for comparison; the duet the two characters share begins with a similar melodic structure to the heroine’s folk song. Placed in a major key instead of minor, this musical comparison suggests that Don Ramiro will play a part in reversing Cenerentola’s current misfortunes. Although Rossini’s La Cenerentola strongly rejects any components of supernatural forces, the opera retains many of the magical elements from Grimm’s fairy tale within a musical analysis of the score.
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